Keller watched the boy leave, crumpled music in hand and hot
tears streaming down his cheek.
‘Good,’ he thought, ‘he need that.’
The moment Paul stepped through the door; Keller could see
he had talent. Unlike his own stubby fingers, Paul’s were long and slender –
any piano player’s dream. But, it was Paul’s pride that struck Keller most. It
seemed to ooze from every part of the boy – from the glint in his eyes; to they
way he held his music, finally, peaking, when he took his seat in front of the
piano. He seemed so aware of his talent, and yet so unaware at the same time –
unaware of his lack of understanding. Thus, Keller decided, that Paul needed to
be re-taught. He needed to be stripped to the foundations, and built up again.
And Keller would do anything to get there.
The slamming door Paul left in his wake finally stopped
ringing, and Keller was once again surrounded by silence – a silence that was
always polluted by the boozing and blowing that continued both day and night at
Darwin’s, the Swan. Keller rose from
his seat in front of the Bosendorfer, pleased with the progress he made with
Paul, and made his way towards the door his angry student had just exited. On
his way out, he collected his newspapers, an empty scrapbook and a grubby pair
of scissors. Perching the stiff, white panama atop his glowing red face – the
contrast remarkable – he turned once more towards the two instruments, and
uttered it again:
‘Good. Very good.’
Closing the door behind him, Keller began his trek back to
his spot on the balcony. Coffee and schnapps, newspaper ink and smudged elbows
called once more. The lesson and troublesome boy a distant memory.